Dating fender bassman 60

Oddlings – Yet another printing error has surfaced, this time from the FEI (pre-CBS) days. Besides, no article in the Dating Fender Amps by Serial Number series would be complete without some interesting information, n’est ce pas?I remember two 'suits' from upstairs standing behind me occasionally doing time studies.They actually held clipboards and stopwatches to measure how long it took for me to attach various parts.Mid-1968 Super Reverb export model modified by Hagstrm for the Swedish market.Note the removal of the voltage selector switch and hard-wiring. I just discovered that the silverface Bandmaster speaker cabinet (the big, tall one without tilt-back legs) is ported (see photo). I guess this is what the 1969 catalog refers to as “large, individual specially designed baffles.” And all along I thought the big n’ tall silverface cabs were just a macho thing to compete against the awesome looks of a Marshall half stack or full stack.These are marked with EIA code “831” and are most prevalent during the 1966-68 time period.

Notice that the original Fender back panel was removed and replaced with a Hagstrm panel.

These are marked with EIA code “606” which is the company number for Schumacher.

Well, this universal “truth” was debunked when we found a bunch of amps with transformers made by the Better Coil and Transformers company.

A 1957 tweed Vibrolux was reported with a tube chart printed with circuit “5E3” (tweed Deluxe) instead of the correct 5F11 (see photo).

Clearly Fender wasn’t afraid to use incorrect parts when they were in a bind. The 5G12 Concert is the earliest version from very late 1959 and early 1960 so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.

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