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Fairbanks didn’t bother with an accent, which is probably for the best.
has a good atmosphere and good acting, but it’s so basic. Leslie Howard had been a star of the stage for years but had steered clear of movies throughout the 1920s, the golden age of silent cinema.
There’s no sense of scale, and many of its twists are ludicrous. That if you have nothing left to live for, you may as well gamble it all away? With the coming of sound, however, stage actors with strong, distinctive voices were in demand and in 1930 he was wooed by Hollywood to star in the screen version of the play Outward Bound.
He had played the supporting role on stage in New York, but for the film he took the lead and Douglas Fairbanks, Jr., the son of Hollywood royalty and a rising young actor in his own right, took the supporting role that Howard had created onstage.
Allison has been obsessing over his wife Monica (Margaret Lindsay), and it turns out that Digby had seen her recently. Tensions boil, and there’s an interesting twist where Digby escapes back to Britain only to be demanded to be returned to the prison when a German woman is found dead. Though, hilariously, they make no plans for if Digby really is innocent of the crime.
Good job escaping, I’m sure you can do it again as needed. The central tension during Digby’s trial is that Allison knows he’s innocent. Does he exonerate his best friend, or let Digby die as he’s stolen all of his hope from him?
The film ends with a massive prison break, where Allison keeps the entire prison camp at bay with one machine gun.
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Forgotten today, his words on The Great War, found in now mouldering copies of The Soul of War, Now It Can Be Told, and The Realities of War, explored the tragic inner workings, errors and misconceptions of the governments behind the disaster that we have come to call the First World War, with a special emphasis on the individuals caught up in what he called “the great machine of slaughter.” Gibbs, a liberal man whose background was lower middle class rather than from the elite, wrote government-censored dispatches for British newspapers that were distributed throughout the world via news services during the war, even while he was also in attendance at meetings with wartime leaders.
After one such dinner, British Prime Minister Lloyd George concluded, after listening to Gibbs‘ account of the progress of the war, that “if people really knew, the war would be stopped tomorrow.”This very brief 69 minute movie introduced themes that might not have been fully developed, but as a snapshot of some of the attitudes prevalent in the aftermath of the First World War, as well as notions of what once was regarded as civilized behavior, the film remains pretty fascinating.